![]() ![]() I will follow suit on every one of them and shoot the ir on each. The SSS is on the bench right now and just like Cliff did its being measured and documented. It will be done right or done again and again until it is. Funeral John is very solid and has the best ears I know of round these parts. I will be relentless in getting these done correctly. His expression while playing and during playback was priceless. I owe the limited knowledge I have to Funeral John here his lesson kicked into gear during the session and I remembered what to doĪnd knocked the project out in minutes which enabled my buddy to cut the track in one take. He kept saying ooo and awe and oh yea during playback. It worked flawlessly and plastered the biggest smile across his face ive seen in 3 years. I love the axe fx II just floored over it and recorded today for the first time making a bass patch for a buddy of mine Thank you for your comment I chased this rabbit down a hole and came up with some nice carrots. Maybe it will generate some interest and come to light. I cant hear too well so please say it loud. Now whos been naughty and whos been nice ? ![]() Then its going too look alot like Christmas just you wait and see. I need a little help from the axepert John Plan on that right now cause its gonna happen. I also own the ssq12 which is the 4 12 cab as well the 2 12 cabs. I wonder if there would be any interest in a bundle set like Ownhammer only with these style amps ? Like Watson and Holmes people like Watson and Holmes. I dont have the mic selection Ownhammer does to do something like this or Cliff for instance but im working on getting this done with help from Then compare them sitting here side by side. I will tell you this right now we are going to find out because im going to shoot Ir's of each of the amps naked like it says in the book. I have a Dumble sitting here its a 50 watt amp but dont let that fool you.Īlso the SSS, Phonic, and ODSR those being very very accurate representations of those amps down too the original parts and glass. In fact it might be quite possible using fractals. up to 1287Hz, you get the special "chirp" on the mids.you'll get there.Īccording too the man himself in his opinion this can not happen in a crystal lattice but only in tube amps.īut when Dumble said that this technology was not around. It's very similar to +B constant and sagging - but those parameters worked for the power amp Scott: Nice tone, a bit too modern for a typical dumble overdrive sound - put a skyliner tonestack in pre-position, then turn up the center frequ. 20-30ms time constant - then listen what happens. Put your preamp dynamics parameter up to approx. As I said, I know the "bloomy notes thing" the main reason behind note bloom comes from the power supply and the dimensions from filter caps and dropping resistance! It's the dimension of the dropping resistor in the load line of the power supply that was used specially for the two overdrive triode stages - make this resistor bigger, lowers (dropping) the voltage when hitting the notes hard, because of more current needed for the triode stages in the preamp- you can simulate this with some "un-necessary-parameters" (according to Cliff), called preamp dynamics and the dynamics time constant in miliseconds, which should be the dimension of the filter caps and the dropping resistance together (time constant is t = R x C). ![]()
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